Thursday, November 17, 2011

fl@tbush film fest's Grand Finale with Haiti Night!

Don't miss fl@tbush film fest's Grand Finale with Haiti Night!


After four successful nights, cariBBeing's 2nd annual fl@tbush film fest will come to close this Friday, November 18 at MoCADA in Brooklyn with Haiti night. This will be the final opportunity to check out the fest's art exhibition showcasing a diverse selection of visual art and photography from some of the Caribbean's most innovative artists. Haiti night will feature the World Premier of Michele Mitchell's Where Did the Money Go?.  Come and be the first to check out the controversial film before it debuts on PBS in 2012. Where Did the Money Go? is a groundbreaking film that dissects where the $ 1.4 billion that U.S. households donated to the country went after the earthquake of 2010. Also screening is Daniel Goudroufe's photo eassay "Haiti Renaissance." A reception with food, wine and refreshments will precede the films.

Saturday, November 12, 2011

Double Dose of cariBBeing @ Maysles Cinema


This weekend is a double dose of cariBBeing as Maysles Cinema will be the home to Jamaica night (Night 3) on Friday, November 11 and a return to Trinidad (Night 4) on Saturday, November 12. Jamaica night will include a screening of Man Free, narrated by the late Perry Henzell (The Harder They Come) and encompassing some of the last footage of Henzell before he passed. Man Free takes a look into the lives of everyday people in beautiful Jamaica as they fight politics, crime, drugs and more.

Night 4 will showcase the surrealist fantasy drama SistaGod and selected works from acclaimed Trinidadian filmmaker Yao Ramesar.  SistaGod is the first feature of a trilogy that tells the story of the coming of a black female messiah in the future, during a period known as the Apocalypso – a global holocaust that she alone survives. SistaGod will also be supplemented be shorts from Ramesar.

See you later,

Shelley

Sunday, November 6, 2011

cariBBeingART: Q&A w/ Film Director/cinematographer Janluk Stanislas (Guadeloupe)

When did you know you wanted to be involved in the arts?

I was involved in the arts since my younger age without really knowing it. Through my mother who incited us (my brother & I) to get involved into music, photography, filming and also sports. But I think I really became conscious of it 20 years ago. After graduating from science and the death of my grandmother, my quest about life and my Caribbean-African identity manifested into art and mostly cinema. 

Who or what inspires you?
Life inspires me, encounters, history, injustice, my grandmother, my understanding of where I’m coming from, who am I today and where I’m going. The life of great artists. The movement of life definitely, it’s a long process… 

What's unique about being an artist in or from your country?

This is a difficult question, but I think that all artists carrying with them their culture and identity have a special vision that feeds them since they born. I don’t think I have something unique, the only thing about it is that we are all unique as individuals…it’s the nature of life and science. It’s solely about being me or ourselves that makes us unique. 

From your perspective, what is it about New York that brings Caribbeans together?

New York is a place built out of melting pots of communities. What bring the Caribbean together is the movement of the city toward curiosity, discovering, and from my point of view, understanding. But the different communities from the Caribbean islands that live today in New York must know that a Caribbean identity can only be built without the fear of moving towards the future. One plus one is something else. We mustn’t be afraid to lose something to gain something else.

 How important is it to culturally educate through your art?

It’s about knowledge, building step by step a culture who is perpetually in evolution. It’s about understanding yourself and also understanding others. Cinema is the 7th art form, means that it gathers all the other ones. Being a Caribbean from the French West Indies, that makes me want to educate myself first by understanding the Caribbean…it’s about a learning process first before rendering it and attempting to educate. Education is important in my art only if the education is important in my life. Art is a way to express feelings about life. It’s about understanding ourselves as Caribbeans.

What is the message that you are trying to portray through your work?

Difficult question…today I’ll say that some topics are important for me…aesthetics, beauty of life, commitments, simplicities. Years ago I would really want to incorporate messages, today I’m mostly trying to talk about my heritage from life, culturally, socially and artistically. But I’ll need more time to develop this question.

What can we do to help raise artistic awareness in your country?

First of all, understand the needs of my country before trying to help it. It’s not an easy path to build and raise awareness.  Our community is coming from all parts of the world. So doing a festival like cariBBeing is a first step to establishing a relation into building together. We mustn’t forget that we’re coming from different tribes but we are all the same, human beings.

Monday, October 31, 2011

cariBBeing Fl@tbush Film Festival on NY1



Come and joins us on Friday, November 4th @ Maysles Cinema in beautiful Harlem 6:30pm-11pm for reception and the screening of Janluk Stanislas's "Nou Yorkers." For more information regarding the night's events click here.

Wednesday, October 26, 2011

cariBBeing's "fl@tbush film fest 2nd edition": Opening Ceremony @ Mocada


On Friday, October 28th, cariBBeing's "fl@tbush film fest 2nd edition" will celebrate its opening ceremony with a night showcasing emerging filmmakers and artists from Trinidad. The festivities kick-off at 6:30pm at MoCADA, located at 80 Hanson Pl in Brooklyn, NY. A reception with wine and refreshments will be held before the films.

Opening the night will be Daniel Goudrouffe's photo essay, "Black Men Are Good" and Roger Alexis' short film, "Contemporary Sorcerer." In the spirit of Halloween weekend, the evening's feature film is "3 Line," a shocking supernatural thriller filled with Caribbean folklore. "3 Line" follows six friends who head to a quiet fishing village to make an investigative documentary. What starts out as a routine film shoot in a supposed paradise quickly turns into hell as the friends find themselves preyed on by a demented family of sadists. "3 Line" delivers a thrilling cinematic experience that will leave the audience shocked in their seats.

Monday, October 24, 2011

cariBBeingART: Q&A w/ Fashion Designer Robert Young (Trinidad & Tobago)

When did you know you wanted to be involved in the arts?

This was late. I was 21 when I started the cloth. Maybe when I was 32 I realized I was actually working as an Artist.

Who or what inspires you?

Persons like CLR James, Peter Minshall, Keith Haring, Lloyd Best, and Christopher Cozier.

What's unique about being an artist in or from your country?

What’s unique is that we create space but the development of those spaces is not supported by the state, the government, by the elite, by the masses. We have to fight. It’s a place where anarchy can exist easily limbo, a dance developed here to ritualize the experience of our African ancestors coming to the new world, is performed. It symbolizes that act of making space where none was provided. Here space can be created and fought for. The unequal forces of the perceived market work against your projects from your perspective.

What is it about New York that brings Caribbeans together?

Well it’s a small island, speaking about Manhattan, with a population of 50 million around it. Many of my people who have played mas (taken on new identities) and danced the limbo (adapted to fit into society given much adversity), have made the choice to migrate to New York City, mostly for economic reasons. When we are here we find each other to break the isolation.

How important is it to culturally educate through your art?

I have difficulty in answering this question. I do what I do and it impacts in many ways. What I try to place in front of you is more the politics of the body and how those bodies dress themselves. Every wearer has a different body. When the clothing is worn the person is read in many ways. It may be voiced as, “she dress nice eh.” or “why all them colours?”

What is the message that you are trying to portray through your work?

You can be yourself, you may choose to be Caribbean and Caribbean is being defined a new way every day.

What can we do to help raise artistic awareness in your country?

Let this show be seen in the islands where the artist are from.


* Be sure to check out the limited edition bags by Robert Young exclusively available at our opening show, October 28th 6:30pm-11:00pm @ Mocada (80 Hanson pl Brooklyn NY)

For more information on Robert Young and his clothing line The Cloth please visit:


Friday, October 14, 2011

cariBBeing presents Fl@tbush Film Festival, 2nd Edition




October 28th & November 18th
CariBBeing Presents:
Fl@tbush Film Festival, 2nd Edition
Curated by Shelley V. Worrell

cariBBeing presents the fl@tbush film festival 2nd edition and Salon 1.0 (on view at MoCADA) October 28 – November 18, 2011.  The festival features documentaries, photo essays, and art by emerging Caribbean artists and filmmakers. The festival will be held in both MoCADA and Maysles Cinema.

Click here for line-up: